TMM Anthologies: Issue 1 | Technostalgia | Coline Milliard – Launch event
Launch Date: 23 March 2017
Location: Carroll Fletcher Gallery, 56-57 Eastcastle St, Fitzrovia, London W1W 8EQ
To coincide with the opening of the programme and the Technostalgia Anthology launch, The Moving Museum will host a panel discussion in partnership with Carroll / Fletcher gallery in London on the topic with speakers including Technostalgia editor Coline Milliard, Professor Beryl Graham and featured artists’ Thomson & Craighead.
The event will be live streamed by this is tomorrow.
To reserve your place please email firstname.lastname@example.org by 20 March.
Get involved: share technologies you’re nostalgic about on Twitter and Instagram with the hashtag #technostalgia2017.
About the speakers:
Coline Milliard is a contemporary art specialist based in London. As an art critic, journalist and editor, Coline has published extensively in periodicals including Modern Painters, Art Monthly, The International Herald Tribune, Art Review, Metropolis M and Art in America, and contributed essays in books and exhibition catalogues. In May 2015, she joined Carroll/Fletcher as Associate Director and prior to that was Deputy Editor for the global newswire artnet News, and UK Editor at LBM, in which capacity she oversaw UK coverage for ARTINFO and Modern Painters magazine. In 2010, Coline curated the first retrospective of the artist Zineb Sedira, held at the [mac] Musée d’Art Contemporain in Marseille, France. The following year, she worked on the launch and development of Ibraaz, an online publishing platform focusing on contemporary visual culture in the Middle East and North Africa region. Coline was one of two founding co-editors of Catalogue, an online publication that acted as a bridge between English- and French-speaking art scenes. She now sits on the artistic committee of Fluxus Art Projets.
Thomson & Craighead have shown extensively at galleries, film festivals and for site-specific commissions in the UK and internationally. Solo shows include Wake Me Up When It’s Over, Young Projects, Los Angeles (2017); Party Booby Trap, Carroll / Fletcher, London, UK (2016); Maps DNA and Spam, Dundee Contemporary Arts, Dundee, UK (2014); Not Even the Sky, MEWO Kunsthalle, Memmingen, Germany; and Never Odd or Even, Carroll / Fletcher, London, UK (both 2013). Recent group exhibitions include Monsters of the Machine: Frankenstein in the 21st Century, LABoral, Gijón, Spain; Perpetual Uncertainty, Bildmuseet, Umeå, Sweden; Electronic Superhighway, Whitechapel Gallery, London, UK (2016); Big Bang Data, Somerset House, London, UK; Right Here, Right Now, The Lowry, Manchester, UK; Art In The Age Of…Asymmetrical Warfare, Witte de With, Rotterdam, Netherlands; How to Construct a Time Machine, MK Gallery, Milton Keynes, UK (all 2015) and the Nam June Paik Award, Haus Lange, Krefeld, Germany (2014). They live and work between London and the Scottish Highlands.
Beryl Graham is Professor of New Media Art at University of Sunderland, and co-founder and editor of CRUMB, the resource for curators of new media art. She curated the international exhibition Serious Games for the Laing and Barbican art galleries, and has also worked with The Exploratorium, San Francisco, and San Francisco Camerawork. Dr. Graham has presented papers at conferences including Decoding the Digital (Victoria and Albert Museum). She has written extensively on media art and curating, including for books for MIT Press and Heinemann, chapters for Routledge and California University Press, and articles in Art Monthly and British Council Magazine.